The Red Pill – A Feminist’s Journey into the Men’s Rights Movement is a 2016 documentary directed by Cassie Jaye. Jaye acknowledges her feminist worldview at the beginning of the film. While researching “rape culture”, she discovered articles written about various men’s rights Web sites, most notably A Voice for Men, a site started and maintained by men’s rights activist (MRA) Paul Elam. Mainstream articles about such sites frame men’s rights groups as “hate groups”, who use the Web as a platform for sharing and propagating woman-hating, anti-feminist, misogynistic ideology. Jaye’s idea for the film was born of the interest in what men’s rights activism is really about – who are these people, and what are they taking issue with? Is the men’s rights movement just a backlash against feminism, comprised of men who are upset that women are making advances toward equality, and lashing out in misogynistic hatred?

Jaye thus begins her journey, spanning a period of time during which she met with and interviewed leaders in not only the men’s rights movement, but also leaders at the fore of the feminist movement. The metaphor of going down the rabbit hole, from Alice in Wonderland, is leveraged to characterize the feeling of disorientation she experienced while being exposed to information that seems so alien to her accepted view of reality; namely, that the social deck is actually stacked against men in some substantial, even horrific ways. Throughout the film, the prevailing feminist ideology that men are Oppressors and women are The Oppressed – that somehow men have an unfair advantage at the expense of women – is flipped upside down through personal testimonies and careful analysis of the validity of commonly held views based on social demographic studies.

I appreciated that Cassie Jaye took care not to minimize the real issues women face. She is one herself, and she seemed honest in her struggle to process what she was learning while keeping her mind open to the facts. This is what we need more of today – an openness to the truth and a willingness to examine our own beliefs. As is par for the modern course, dogma tends to rule the day, and this film is effective at deconstructing feminist dogma and turning a listening ear to the voices that tend to be shouted into irrelevance.

When you hear the term “domestic violence”, what images does it conjure? Maybe a billboard presenting a woman’s battered face? An angry man in a wife-beater t-shirt, a woman cowered in the corner, fearing for her life? When you hear that 1 in 3 women are affected by domestic violence of some type, do you also hear that 1 in 4 men are also affected? If domestic violence is perpetrated on each gender nearly 50/50, why is domestic violence largely presented in the media as a women’s issue? Why are there two-thousand or more shelters for female victims of domestic violence in the United States, and only one for men? Domestic violence is a human issue, perpetrated on both genders. Where is the outrage when it is perpetrated on men? Have you ever stopped to consider that domestic violence perpetrated on men is possible? This is just one example of many men’s issues the film explores, from the biased family court systems to reproductive rights, paternity fraud, and suicide rates. The information and data presented stands in stark contrast to the messages we receive from feminism in our culture.

I particularly enjoyed the segments focused on the Honey Badger Brigade, a team of female men’s rights activists. These ladies get it. They do not drink the feminist kool-aid. I would proudly be the first registrant were there ever to be a certified Honey Badger dating app.

The Red Pill was screened in select theaters worldwide in 2016, and was released to most major video streaming services this week on Tuesday, March 7^th. I went to a screening in Seattle, Washington in January of this year. Some screenings, such as one in Melbourne Australia, were canceled after feminists petitioned to have this “misogynistic propaganda film” shut down. The claim that The Red Pill deals in misogyny is ridiculous and untrue. I am thrilled that the film’s reach has expanded, and I am looking forward to seeing how the dialogue progresses in the coming years. If we want to survive as a species, we cannot continue to foster a system where gender relations present a threat to either sex. We are all in this together. Real equality does not tip the scales to anyone’s advantage, or treat anyone as a means to an end (see Immanuel Kant’s Categorical Imperative).

The screening I attended closed to applause from both men and women. That was heartening, especially in Seattle. I left the theater with a sense of hope, and I wanted to give Cassie Jaye a big hug. Let this post be that metaphorical hug.

Thank you Cassie!